Pablo Picasso Famous Paintings
Pablo Picasso (/pɪˈkɑːsoʊ, -ˈkæsoʊ/;] Spanish: [ˈpaβlo piˈkaso]; 25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by the German and Italian airforces.
Three Musicians is the title of two similar collage and oil paintings by Spanish artist Pablo Picasso. They were both completed in 1921 in Fontainebleau near Paris, France, and exemplify the Synthetic Cubist style; the flat planes of colour and "intricate puzzle-like composition" echoing the arrangements of cutout paper with which the style originated. One version is currently owned by the Museum of Modern Art (MoMA) in New York City; the other is found in the Philadelphia Museum of Art
Nude, Green Leaves and Bust
Nude, Green Leaves and Bust (French: Nu au Plateau de Sculpteur) is a 1932 painting by Pablo Picasso, featuring his mistress Marie-Thérèse Walter. The painting was in the personal collection of Los Angeles art collectors Sidney and Frances Brody for nearly six decades. It sold at auction for US$106.5 million, the third highest world record price for a piece of art work sold at auction.
The model of this painting, Asleeep, painted in 1932, is Picasso's mistress Marie Therese. She was resting between the two powerful polarized color blocks of red and green, which accentuate the tranquility of Marie Therese while sleeping. The solid black outline around the Marie's hands and profile is a feature of the series recalling the Fauvist's black binding of color blocks. Pay attention to Marie's hands. Her claw-like features give her an "animalistic primitivism," which is a belief in the simpleness and unsophistication of life. It is a weird combination of beauty and ugliness, another theme that continually fascinated Picasso and was depicted in many of his other paintings. The Surrealists' fantasy world is hinted, yet the viewer is seeing outer materiality instead of the model's subconscious mental processes. The work is more an impression of the artist's sub-consciousness and with the sensual look, the depiction can be turned into a sexual organ.
Blue Nude is one of Pablo Picasso's master piece in his early years. It was painted in 1902 and after one of his close friend tragically died, he mourned over it for a long time and was in a depressive mode. It is one of Picasso's paintings during his blue period and has without a doubt proved Picasso's talent on highlighting the deepest emotions while using only one color to effectively express it. The seated model, seated with her back to the viewer, postured as it often adopted in life classes. It was depicted from the high perspective, looking down upon the figure. There are no background of the figure, the same style adopted by Paul Gauguin in a number of the paintings he executed in Tahiti. Here this carriage serves to avoid the onlooker from the scene, characterizing him or her as an outcast, arranged past the edges of remote and colorful universe of Gauguin. Picasso's reception of a back perspective works comparably to pass on a feeling of disengagement and rejection. Blue Nude has splendidly made utilization of the wonderful mix of surfaces to make it One of Pablo Picasso's most popular masterpieces. Even during Picasso was swamped with depression, he was still able to use it to his advantage to come up with a piece that is still clamored by many art aficionados at this time.
Dora Maar au Chat
Dora Maar au Chat (Dora Maar with Cat) is a 1941 painting by Pablo Picasso. It depicts Dora Maar, the painter's lover, seated on a chair with a small cat perched on her shoulders. The work is one of the world's most expensive paintings.
Seated Woman (Marie-Therese)
This joyful work was painted at the start of an amazingly prolific year, in which Picasso produced many powerful creations, including Guernica (1937). The influence of his young love and muse had recharged him, and he became a legend in his own lifetime. This painting has a sense of harlequinade, as strong bright bands of colour are arranged so that the dress appears like a costume. The figure may also resemble a queen court card from a deck of playing cards, whose imagery is often designed with stripes and banding creatively reversed on the same plane. Here, the bands of colour are superbly controlled by the black or white striations to create a wonderful series of energetic patterns across the contours of the body. Picasso again returns to his technique of red and green polarisation to add a further dimension of animation. This colour combination usually creates a flatness of the picture surface but he mitigates this beautifully with the construction of a Cubist sense of spatial depth. This is created by the illusion of the two corners in the tightly receding room behind the figure. As a result, the powerful body of Marie-Therese projects from the picture in sharp relief.
The Old Guitarist
The Old Guitarist is an oil painting by Pablo Picasso created late 1903 – early 1904. It depicts an old, blind, haggard man with threadbare clothing weakly hunched over his guitar, playing in the streets of Barcelona, Spain. It is currently on display in the Art Institute of Chicago as part of the Helen Birch Bartlett Memorial Collection.
Girl Before A Mirror
Girl before a Mirror is a painting by Pablo Picasso that was created in March 1932. Considered to be one of his masterpieces, the painting has been widely known for its varied interpretations of the lover and the beloved.
Les Demoiselles d’Avignon
Les Demoiselles d'Avignon (The Young Ladies of Avignon, and originally titled The Brothel of Avignon) is a large oil painting created in 1907 by the Spanish artist Pablo Picasso (1881–1973). The work portrays five nude female prostitutes from a brothel on Carrer d'Avinyó (Avignon Street) in Barcelona. Each figure is depicted in a disconcerting confrontational manner and none are conventionally feminine. The women appear as slightly menacing and rendered with angular and disjointed body shapes. Three figures on the left exhibit facial features in the Iberian style of Picasso's native Spain, while the two on the right are shown with African mask-like features. The racial primitivism evoked in these masks, according to Picasso, moved him to "liberate an utterly original artistic style of compelling, even savage force."
Le Rêve (The Dream)
Le Rêve (French, "The Dream") is a 1932 oil painting (130 × 97 cm) by Pablo Picasso, then 50 years old, portraying his 22-year-old mistress Marie-Thérèse Walter. It is said to have been painted in one afternoon, on 24 January 1932. It belongs to Picasso's period of distorted depictions, with its oversimplified outlines and contrasted colors resembling early Fauvism. The erotic content of the painting has been noted repeatedly, with critics pointing out that Picasso painted an erect penis, presumably symbolizing his own, in the upturned face of his model.